RAW SUPERCAR BYSTANDER FOOTAGE

Location: Dubai Marina | Car: Latest Yellow Lamborghini Urus | Accent: Nigerian English

Step-by-Step Guide to Generate Raw Supercar Bystander Footage

1. Generate / Upload Reference Images

• Upload Reference Image 01: Character.
• Upload Reference Image 02: Latest yellow Lamborghini Urus.
• Set location as Dubai Marina.
• Environment should include heat, supercars, spectators, asphalt, traffic, sun, street noise, and luxury street activity.
• Keep the footage raw, handheld, and phone-quality.

2. Pick Best Output

• The yellow Lamborghini Urus stays consistent.
• The character remains recognizable.
• Dubai Marina feels hot, bright, and crowded.
• The camera feels like a real bystander iPhone recording.
• Auto-focus hunts naturally.
• Auto-exposure shifts between shade and sun.
• The Nigerian English accent sounds natural.
• The final cut feels abrupt, like the operator stopped recording.

3. Go to Video Tool

• Use Seedance 2.0.
• Upload the character reference image.
• Upload the yellow Lamborghini Urus reference image.
• Use this as a 15-second vertical video prompt.
• Preserve raw handheld iPhone footage.
• No music. Diegetic sound only.

Text to Video Prompt

Create a 15-second raw handheld iPhone bystander video in Dubai Marina, with heat, supercars, spectators, distant traffic, wind, and crowd noise.

Global rule: No music. Diegetic SFX only. Raw handheld iPhone footage, auto-everything, bystander POV in Dubai Marina. No styled lighting, no grading. Auto white balance flickers between warm and cool as the camera pans across shade and sun.

SHOT 1, 0s to 1s

At 0s, the camera is already unsteady, pointed loosely down Dubai Marina. The asphalt is slightly over-exposed. The operator is clearly reacting in real time. Audio includes ambient Dubai Marina noise, distant traffic, faint crowd murmur, and wind buffeting the mic with a low crackle.

SHOT 2, 1s to 2s

At 1s, the deep, authoritative low-frequency rumble of an exotic supercar engine rolls in from off-screen left. The sound is raw and unfiltered. The phone mic distorts slightly at the low-end peaks. The camera swings fast to track it, momentarily cutting off the top of the frame and catching a blurred pedestrian shoulder in the foreground.

SHOT 3, 2s to 3s

At 2s, a latest yellow Lamborghini Urus slides into frame. The engine rumble stretches into a thick, resonant growl that vibrates the audio channel. The auto-focus hunts aggressively. The car body goes soft and the background sharpens for half a second before snapping back to the car's low roofline.

SHOT 4, 3s to 4s

At 3s, the driver's window is fully down and the character from Reference Image 01 is visible from the chest up. The character has an athletic build and wears a perfectly tailored outfit, every detail immaculate against the raw, unpolished context of Dubai Marina. Their face is sharply lit by harsh overhead sun, casting a hard shadow under their jaw. No fill light. Completely natural and unflattering in the best paparazzi sense. Their expression is calm and composed, with a barely-there smirk at the corner of their mouth. Their steely eyes scan forward.

SHOT 5, 4s to 5s

At 4s, a bystander on the sidewalk, a young individual in a casual outfit, steps partially into the left edge of frame. They half-obscure the car's front bumper and call out toward the open window over the crowd noise. Their voice is raw and unpolished against the ambient audio: "Excuse me, what do you do for a living?" The camera auto-focus briefly loses the character's face and locks onto the bystander's outfit before hunting back.

SHOT 6, 5s to 7s

At 5s, the character turns their head slightly toward the window. The smirk deepens just a fraction. Their posture remains relaxed and unhurried despite the slow rolling momentum of the car. At 6s, in a voice that is crystal clear, confidently projected, unmistakably standard Nigerian English, cutting cleanly above the engine rumble and street noise with natural authority, the character says: "I'm a prompt engineer." The words land with casual precision, no affectation, just clean Nigerian English vowels and a tone that suggests the statement is both completely mundane and somehow the most interesting thing anyone in Dubai Marina has said all day.

SHOT 7, 7s to 8s

At 7s, the camera operator exhales audibly into the mic. It sounds like a small laugh or breath of surprise. The frame dips slightly downward, catching the car's rear quarter panel and spinning rim in slow motion. The wheel spokes strobe beautifully in the harsh sunlight. Lens flare clips the upper right corner of frame in a raw, uncorrected streak of yellow-white blown highlight.

SHOT 8, 8s to 9s

At 8s, the auto-focus completely loses the car and locks onto a chain-link fence twenty feet behind. The entire foreground goes buttery soft. At 9s, the focus snaps back with a micro-jolt just as the rear of the yellow Lamborghini Urus begins to slide past frame. Chromatic aberration bleeds purple and green along the high-contrast edge of the yellow bodywork against the pale sky.

SHOT 9, 10s to 11s

At 10s, the camera pans to track the rear of the car. The pan is slightly too slow, cutting off the exhaust pipes. The engine note shifts and deepens as the car rolls forward. The slow-motion audio turns the rumble into a cinematic subsonic throb that the phone mic renders with slight clipping distortion on the peaks.

SHOT 10, 11s to 12s

At 11s, a pedestrian walks fully through frame between the camera and the car. The shot is completely blocked for nearly a full second. The operator does not cut. They just hold and wait. The frame is partially obscured by the back of someone's jacket.

SHOT 11, 12s to 13s

At 12s, the car is three-quarters past. The rear wing is visible. The camera is now slightly under-exposed because the operator has tracked into a shaded zone. The auto-exposure struggles to compensate. The image briefly darkens, then lurches brighter.

SHOT 12, 13s to 14s

At 13s, the camera drops almost to waist height. It catches the car's exhaust and rear diffuser low and wide. The slow-motion engine sound tapers as the yellow Lamborghini Urus puts gentle distance between itself and the crowd. The car is still rolling slowly. The window is still down. The character's silhouette is just barely visible in the driver's seat, with one arm resting on the door.

SHOT 13, 14s to 15s

At 14s, the phone's auto white balance shifts warmer as the camera swings back into full sunlight. The image becomes slightly flat and overexposed on the pale asphalt. At 15s, the footage cuts abruptly mid-pan. Not a clean edit. Just the operator stopping the recording. The last frame freezes on a slightly motion-blurred rear view of the yellow Lamborghini Urus shrinking into the heat haze of Dubai Marina. The engine rumble fades into ambient noise, wind, and the sound of someone nearby saying something unintelligible off-mic.

Technical Parameters

• Duration: 15 seconds
• Aspect ratio: 9:16 vertical
• Camera Style: Raw handheld iPhone footage
• Camera Behavior: Unsteady bystander POV, fast reaction pan, focus hunting, unstable framing
• Location: Dubai Marina
• Environment: Heat, supercars, spectators, traffic, crowd murmur, wind, asphalt, sunlight
• Car: Latest yellow Lamborghini Urus
• Character: Use uploaded character reference image
• Lighting: Natural harsh overhead sun, shade-to-sun exposure shifts
• Image Texture: Phone video quality, slight blur, noise, digital compression, blown highlights
• Exposure: Auto-exposure struggles between shade and sun
• White Balance: Flickers between warm and cool
• Audio: Diegetic SFX only, engine rumble, wind crackle, crowd noise, traffic, off-mic speech
• Dialogue Accent: Standard Nigerian English
• Dialogue Line: "I'm a prompt engineer."

Continuity Rules

• Preserve the same yellow Lamborghini Urus throughout.
• Preserve the same character from the reference image.
• Preserve Dubai Marina as the full location.
• Keep the car rolling slowly.
• Keep the window down.
• Keep the footage raw and imperfect.
• Keep all sound diegetic.
• Do not make the video look like a polished commercial.
• Do not clean up the exposure, focus, framing, or sound too much.

Negative Prompt

• No music.
• No cinematic grading.
• No styled lighting.
• No tripod stability.
• No drone shot.
• No smooth commercial camera movement.
• No clean edit.
• No perfect focus.
• No perfect exposure.
• No studio-quality audio.
• No American accent.
• No British accent.
• No wrong car model.
• No wrong car color.
• No different location.
• No clean luxury car commercial look.
• No text overlay.
• No fake crowd.
• No unrealistic speed.
• No polished final transition.